The Joan Carlisle-Irving Lecture series was initiated in 1996 and presents a variety of speakers from across disciplines. International and Canadian artists, critics, curators and scholars address challenging and topical themes relevant to the study and practice of art in today's world.
Past speakers include: Barbara Abou-El-Haj, Arjun Appadurai, David Avelos, Craig Baldwin, Bruce Barber, John Barrel, Lutz Becker, Xu Bing, ain Boal, ve-Alain Bois, Manuel Borja-Villa, Michael Camille, Paul Chan, James Clifford, Thomas Cummins, Lynne Cohen, Annie Coombes, Lisa Corrin, Barbara Evans, Teresa de Lauretis, Max Dean, Jim Drobnick and Jennifer Fisher, Peter Galison and Caroline Jones, Michael Gaudio, Faye Ginsburg, Guillermo Gomez-Pena, Oliver Grau, Tapati Guha-thakurta, Martin Guttmann, Ron Hamilton, Hou Hanru, Jamie Hilder, Wu Hung, Wang Jianwei, David Joselit, E. Ann Kaplan, Webb Keane, Cecilia Klein, Norman M. Klein, Vasif Kortun, Ewa Lajer-Burcharth, Dana Leibsohn, Evelyn Lincoln and David Solcan, Akira Lippit, Martin Lister, Sharon Lockhart, Maureen Lunn, Andrew MacIntosh, Lev Manovich, Oswaldo Marcia, Alan Marcus, Teresa Margolles, Laura Marks, Paul McCarthy, James Meyer, Regis Michael, Walter Mignolo, Joseph Monteyne, Laura Mulvey, Loretta Napoleoni, Diane Nelson, Miles Ogborn, Fred Orton, Vong Phaophanit, Manuel Pina, Christopher Pinney, Stephen Prina, Wang Qingsong, Walid Ra’ad, Jeanne Randolph, Jolene Rickard, Eric Rosenberg, Eric Santner, Julian Stallabrass, Christopher Steiner, Jessica Stockholder, Rob Stone, Nicholas Thomas, Dot Tuer, Jonathan Weinberg, John Welchman, Christopher Williams, Karla Jessen Williamson, Bronwen Wilson, Martha Wilson and Shengtian Zheng.
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Distributors: Knowledge Production in Science and Art
March 12, 2012

Peter Galison is the Pellegrino University Professor in History of Science and Physics at Harvard University.
Caroline Jones is Professor of Modern and Contemporary Art at MIT.
The lecture will deliberate on the trajectory that has occurred from the factory to the lab/studio and how
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Miwon Kwon: Ends of the Earth (and Back)
March 24, 2011

Miwon Kwon is trained in architecture, holds a MA in photography, and has extensive curatorial experience from her tenure at the Whitney Museum of American Art in the early 1990s. She received her PhD in Architectural History and Theory at Princeton University in 1998, the same year in which she joined the faculty at UCLA to
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Dr. Barbara Evans: The Aesthetics of Performance
March 08, 2010

Professor Barbara Evans is Dean of the Faculty of Graduate Studies at the University of British Columbia. Recognized for her international leadership in graduate education, Barbara has been a keynote speaker at many conferences focused on graduate education in the US, Canada, Europe, Australia and Asia.
She is also an
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Wang Qingsong
March 03, 2010

Wang Qingsong is an internaionally known artist who studied at Sichuan Fine Arts Institute and currently lives in Beijing. He produces large scale staged photographs addressing issues around the hopes, fears and desires of contemporary Chinese from migrant workers to the newly affluent middle class. His works have been included
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Jamie Hilder: The Miracle Mile
February 10, 2010

Jamie Hilder is a Vancouver-based artist and critic whose work deals with issues surrounding performance, urbanism, and economics. He is currently completing a doctoral dissertation on the international concrete poetry movement in the Department of English at UBC. He has exhibited and published work locally and internationally,
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Alan Marcus - "Bodies on Display: Gender Ambiguities and Riefenstahl’s Olympia"
November 02, 2009

Dr. Alan Marcus is Head of the Film and Visual Culture Department at King’s College, University of Aberdeen, Scotland. He interviewed the film director Leni Riefenstahl shortly before she died, and has written on representations of the body in journals such as Visual Anthropology. He has published on themes associated with
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Faye Ginsburg - "The Canary in the Gemeinschaft: Jews, Disability and Film
October 19, 2009

Faye Ginsburg is the David B. Kriser Professor of Anthropology at New York University where she is also the Director of the Center for Media, Culture and History and co-Director of the NYU Council for the Study of Disability. An author, activist and occasional filmmaker, she has published four books, and is currently completing
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Rob Stone - "Splash: Greg Louganis at the Threshold of Aural Architecture"
October 05, 2009

Dr. Rob Stone is Senior Research Fellow in the Visual Culture Research Group at Middlesex University. He is also closely attached to the Research Architecture, Visual Cultures and Visual Arts Departments at Goldsmiths College. His critical interests are in sound, architecture, fine art and the creative-theoretical problems of
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Webb Keane - "On Spirit Writing: Materiality, Words, and their Magic"
May 04, 2009

Webb Keane grew up in New York City, graduated from Yale College, where he concentrated in art and philosophy, and received his PhD in Anthropology from the University of Chicago. After several years on the faculty of the University of Pennsylvania, he joined the University of Michigan in 1997, where he is now Professor and
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Laura Mulvey - "Between Film Theory and Film History: The young modern woman and the 'flapper film' of the 1920's"
February 23, 2009

Laura Mulvey, School of History of Art, Film and Visual Media Birkbeck College, University of London. Visiting Professor at Wellesley College, 2008-2009 ... (more »)
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Michael Gaudio - "The Sound of the Image: Picturing a Native American Dance, 1592/1894"
January 12, 2009

Michael Gaudio, Associate Professor, Department of Art History, University of Minnesota, specializes in the visual culture of early modern Europe and the Atlantic world (ca. 1500-1800). His scholarship, which focuses primarily upon England and North America, examines the status and function of the visual image (especially
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Akira Lippit - "Spectral Life: Derrida, Autobiography, Experimental Film."
October 14, 2008

Akira Lippit, Professor, Comparative Literature and East Asian Languages and Cultures, Professor, Critical Studies, School of Cinematic Arts University of Southern California.
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Eric Santner - "Reflections on the Somatic Sublime"
September 22, 2008

Eric Santner, Department of German Studies, University of Chicago. ... (more »)
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JCI Lecture: Dana Leibsohn
March 18, 2008

Dana Leibsohn, Assoc. Prof. of Art History and Latin American Studies at Smith College, is known for her work in the indigenous visual culture of colonial Latin America, particularly maps and modes of literacy as well as trade between China and Mexico in the 17th-18th centuries. March 18-19 2008.
These lectures delve into
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JCI Graduate Seminar with Dana Leibsohn
March 17, 2008
Public Lecture - Tuesday March 18th 7pm Lasserre 104. ... (more »)
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JCI Graduate Seminar with Hou Hanru
February 06, 2008

Graduate Seminar with Hou Hanru Open to all AHVA Graduate students. ... (more »)
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JCI Lecture: Hou Hanru
February 05, 2008

Hou Hanru is an internationally renowned critic/curator of contemporary Chinese art and Director of Exhibitions/Public Programs at the San Francisco Art Institute. Hou was recently appointed artistic director of the 10th International Istanbul Biennial and curator of the Chinese Pavilion at the Venice Biennial of 2007. Feb
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JCI Graduate Seminar with Wang Jianwei
January 16, 2008

Graduate Seminar with Wang Jianwei. Open to all AHVA Graduate students. ... (more »)
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JCI Lecture: Wang Janwei
January 15, 2008

Wang Jianwei, based in Beijing, is one of China's best-known conceptual artists. He creates video works, from documentary-style productions to participant-observer projects to more theatrical efforts, often exploring the relationships of power within China's changing social and economic landscape. Jan 15-16
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JCI Graduate Seminar with Ron Hamilton
November 21, 2007

KI-KE-IN (Ron Hamilton) is a Nuu-Chah-Nulth creator, storyteller, poet, and scholar, who engages in public debates, exhibitions, and publications concerning a trans-Pacific history for the cultures of the Northwest Coast and their art. ... (more »)
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JCI Lecture: Ki-Ke-In (Ron Hamilton)
November 20, 2007

KI-KE-IN (Ron Hamilton) is a Nuu-Chah-Nulth creator, storyteller, poet, and scholar, who engages in public debates, exhibitions, and publications concerning a trans-Pacific history for the cultures of the Northwest Coast and their “art.”, Nov 20 -21 2007.
Public
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JCI Graduate Seminar with Shengtian Zheng
October 10, 2007

Graduate Seminar with Shengtian Zheng. Open to all AHVA Graduate students. ... (more »)
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JCI Lecture: Shentian Zheng
October 09, 2007

Shengtian Zheng is an artist, curator, and Chinese art specialist, is a managing editor of Yishu: Journal of Contemporary Chinese Art. He was a curator for the Shanghai Biennale in 2004, and co-editor of Shanghai Modern: 1919-1945 in 2005.
Public Lecture - Tuesday October 9th 7pm Lasserre 102
Graduate
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Julian Stallabrass - Photographic Meaning in the Vietnam War
March 22, 2007

Julian Stallabrass is Reader at the Courtauld Institute of Art in London. He lectures in modern and contemporary art, including postwar British art, the history of photography and new media art. Stallabrass is the author of Gargantua: Manufactured Mass Culture (Verso, 1996), High Art Lite: British Art in the
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Thomas Cummins - Terror in the New World: The Coming of Hell in Paradise after October 9th 1492
March 15, 2007

Thomas Cummins is Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University. With a doctorate from UCLA, he has made a career of finding and interpreting objects that hold the key to a fuller understanding of the encounter between native peoples and their Spanish conquerors.
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Paul Chan Video Screening
February 01, 2007

Due to unforeseen commitments, Paul Chan is not able to travel to speak on February 1st as announced. We are pleased, however, to be able, in conjunction with Western Front Exhibitions and courtesy of Greene Naftali Gallery, New York, to present a screening of Chan’s videos, The Tin Drum Trilogy.
The three
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Loretta Napoleoni - The New Economy of Terror Before and After 911
January 18, 2007

Loretta Napoleoni is an expert on the financing of terrorism and is known internationally for having calculated the size of the terror economy. She is the author of the best-selling book Terror, Incorporated (Seven Stories Press), Her latest book is Insurgent Iraq : Al-Zarqawi and the New
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Arjun Appadurai - Solids and Liquids: Notes on the Materialities of Terror
November 09, 2006

Arjun Appadurai serves as Provost and Senior Vice President for Academic Affairs at The New School in New York City, where he also holds a Distinguished Professorship as the John Dewey Professor in the Social Sciences. Appadurai was born and educated in Bombay. He earned his B.A. from Brandeis University in 1967, and his M.A.
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Xu Bing: Word, Image and Meaning
March 03, 2005

Xu Bing - Word, Image and Meaning. Co-sponsered by:the center for chinese research, ms. greta ho, yishu magazine, st. john's college in collaboration with the Vancouver Art Gallery.
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Oliver Grau: magic, movement and evolution: from phantasmagoria to media art
February 02, 2005

Oliver Grau - magic, movement and evolution: from phantasmagoria to media art. ... (more »)
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Oswaldo Macia: on the use of smell and sound in his work
November 23, 2004

Oswaldo Macia: on the use of smell and sound in his work. ... (more »)
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Teresa Margolles: on the life of corpses
November 03, 2004

Teresa Margolles: on the life of corpses ... (more »)
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John Welchman: on the uncanny and visual culture
October 20, 2004

John Welchman: on the uncanny and visual culture
co-sponsored by:the morris and helen belkin art gallery and the emily carr institute of art and design.
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Wu Hung: contemporaneity in contemporary chinese art
October 13, 2004

Wu Hung: contemporaneity in contemporary chinese art
Co-sponsored by: the center for chinese studies, ms. greta ho, department of religious studies,and the department of asian studies.
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Walid Ra’ad: The Loudest Muttering is Over: Documents from the Atlas Group Archive - The Bachar Tapes
March 17, 2004

Walid Ra’ad: The Loudest Muttering is Over: Documents from the Atlas Group Archive - The Bachar Tapes
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Vong Phaophanit: Atopia: looking and seeing
March 03, 2004

Vong Phaophanit: Atopia: looking and seeing
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Jolene Rickard: Aesthetics and Sovereignty?
January 14, 2004

Jolene Rickard: Aesthetics and Sovereignty?
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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James Meyer: Judd’s Domesticity
November 19, 2003

James Meyer: Judd’s Domesticity
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Fred Orton: Disassociation and Alienation in the Art of Jeff Wall: A Ventriloquist at a Birthday Party in October, 1947
November 12, 2003

Fred Orton: Disassociation and Alienation in the Art of Jeff Wall: A Ventriloquist at a Birthday Party in October, 1947
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Christopher Pinney: The Recursive Archive: Art versus History
October 29, 2003

Christopher Pinney: The Recursive Archive: Art versus History
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Martha Wilson: Going Virtual: Franklin Furnace in Cyberspace
October 01, 2003

Martha Wilson: Going Virtual: Franklin Furnace in Cyberspace
Co-organized by Marina Roy and Charlotte Townsend-Gault.
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Lev Manovich
March 27, 2003
Lev Manovich, Associate Professor of Visual Arts, University of California, San Diego ... (more »)
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Lisa Corrin
February 27, 2003
Lisa Corrin, Deputy Director of Art at the Seattle Art Museum ... (more »)
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Bronwen Wilson
January 30, 2003
Bronwen Wilson, Assistant Professor, Art History and Communication Studies, McGill University ... (more »)
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David Joselit
January 09, 2003
David Joselit, Associate Professor of Art History, University of California, Irvine ... (more »)
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Jim Drobnick and Jennifer Fisher
November 21, 2002
Jim Drobnick and Jennifer Fisher ... (more »)
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Lynne Cohen
October 17, 2002
Lynne Cohen, Professor of Visual Arts, University of Ottawa ... (more »)
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Miles Ogborn
April 12, 2001

Miles Ogborn gives talk on April 12th. ... (more »)
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Teresa de Lauretis
April 03, 2001

Teresa de Lauretis ... (more »)
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E. Ann Kaplan
March 22, 2001

E. Ann Kaplan ... (more »)
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Faye Ginsburg
March 08, 2001

Faye Ginsburg ... (more »)
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Laura Marks
March 01, 2001

Laura Marks ... (more »)
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Vasif Kortun
February 15, 2001

Vasif Kortun ... (more »)
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Diane Nelson: Horror's Special Effects: Representing Genocidal Civil War in Guatemala
April 06, 2000

Diane Nelson, Assistant Professor, Department of Anthropology and Sociology, Lewis and Clark College ... (more »)
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Walter Mignolo: Thinking Possible Future: The Network Society and Coloniality of Being
March 30, 2000

Walter Mignolo, William H. Wannamaker Professor Literature and Romance Studies, Professor of Cultural Anthropology, Duke University. ... (more »)
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Ewa Lajer-Burcharth: The Global Wanderer: Krystof Wodiczko
March 16, 2000

Ewa Lajer-Burcharth, Harris K. Weston Associate Professor of Humanities, Department of the History of Art and Architecture, Harvard University ... (more »)
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Lutz Becker: Hidden Agenda: Modernism and Spirituality
March 02, 2000

Lutz Becker, Film Maker, London, U.K., "Eisenstein in Mexico." ... (more »)
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Dot Tuer: The Necessity of Utopia: Gestures Through the Looking glass History in Argentinean and Canadian Art
February 03, 2000

Dot Tuer, Artist, Toronto, Professor, Ontario College of Art and Design. ... (more »)
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Martin Lister: Visual Culture: Taking Stock after the Hype
January 27, 2000

Martin Lister, Head of Cultural and Media Studies Newport School of Art and Design, Gwent college of higher Education, University of West England Digital. ... (more »)
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Craig Baldwin: Redeeming a century of Ruins: The Art and Science of Media Archaeology
January 13, 2000

Craig Baldwin, Film maker, San Francisco. ... (more »)
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Tapati Guha-thakurta: Sites of Sexuality: The Production of the Feminine Figure in Indian Art
December 02, 1999

Tapati Guha-thakurta ... (more »)
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Ki-Ke-In (Ron Hamilton): Thliitsapilthim (Ceremonial Screens)
March 04, 1999

Ki-Ke-In (Ron Hamilton): , Nuu-cha-nulth Creator ... (more »)
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Eric Rosenberg: Assimilation's Terror: Walker Evans' Depression and the Trauma of Photography
January 21, 1999

Eric Rosenberg, Art Historian, Tufts University. ... (more »)
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Jessica Stockholder: Landscape
November 23, 1998

Jessica Stockholder, Artist, New York. ... (more »)
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Okwui Enwezor: Against the Grain: Making Exhibitions in a Global World
November 12, 1998

Okwui Enwezor, Nigerian-born Curator and historian, Art Institute of Chicago. ... (more »)
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Yve-Alain Bois: Matisse and Picasso: Chess, Revels, Misprison
October 29, 1998

Yve-Alain Bois, Pulitzer Chair, Harvard University.
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James Clifford: The Invention of Tradition Reconsidered
October 22, 1998

James Clifford, Distinguished professor, History of Consciousness Program, University of California, Santa Cruz. ... (more »)
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Christopher Steiner: Anthropologists on Tradition: The Case of African Art
September 28, 1998

Christopher Steiner, Art Historian and filmmaker, Department of Fine Arts, Connecticut College. ... (more »)
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Barbara Abou-El-Haj: Santiago de Compostela suspended between medieval reality and contemporary idealogy
March 27, 1998

Barbara Abou-El-Haj, Art Historian, SUNY, Binghamtom University ... (more »)
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Jonathan Weinberg: Aquiisitions and Mergers: Basquiat, Warhol and Schnabel
March 13, 1998

Jonathan Weinberg, Art Historian, Yale University ... (more »)
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Annie Coombes: Remembering to Forget: Postcolonial Histories and Public Culture
February 10, 1998

Annie Coombes, Art Historian, Birkbeck College, U of London ... (more »)
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Martin Guttmann: Clegg and Guttmann: Public Projects
February 06, 1998

Martin Guttmann, Artist and Professor of Phil. Mathematics, Stanford University ... (more »)
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Max Dean
February 05, 1998

Max Dean, Artist, Toronto ... (more »)
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Nicholas Thomas: Parts of Modernity: 19th century inventions of figurative art in Oceania
January 16, 1998

Nicholas Thomas, Director of Centre for Cross-Cultural Research, Australian National University ... (more »)
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Regis Michael: Gericault: The Violence or Interpretation
October 05, 1997

Regis Michael: Gericault: The Violence or Interpretation
This visit is also sponsered by the Morris and Helen Belkin Art Gallery, the Dorothy Dallas Fund and the Department of French, UBC.
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Regis Michael: Seminar - Against History: Forgetting Marat
October 03, 1997

Regis Michael: Seminar - Against History: Forgetting Marat
This visit is also sponsered by the Morris and Helen Belkin Art Gallery, the Dorothy Dallas Fund and the Department of French, UBC.
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Evelyn Lincoln and David Solcan
April 01, 1997

Evelyn Lincoln: "Mantuan Women Maps 16th Century Markets': Diana Mantuana's Practice of Printmaking", History of Art Department, Brown University.
David Solkin: "Charles II's New Clothes", Art Historian and deputy director, Courtauld Institute, London
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Karla Jessen Williamson: Genderlessness and Inuit Masking
February 13, 1997

Karla Jessen Williamson, Inuk storyteller from Green land, Indian and Northern Education Program, University of Saskatchewan. ... (more »)
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Joseph Monteyne: A Thousand Monster Opinions; The Coffee House and Print Culture in Restoration London
January 30, 1997

Joseph Monteyne, Ph.D Candidate, Department of Fine Arts, UBC ... (more »)
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Norman M. Klein: The Politics of Virtual Systems
November 21, 1996

Norman M. Klein, Cultural historian and critic, California Institute for the Arts. ... (more »)
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Bruce Barber: Popular Modernism and Cultural In/Subordination
November 12, 1996

Bruce Barber, Artist and Writer on culture, Nova Scotia college of Art and Design Halifax ... (more »)
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Iain Boal: Breaking Frames: Ned Lud Meets Erving Goffman
October 31, 1996

Iain Boal, Editor of "Resisting Virtual Life" and founder of Retorts, Berkeley, California ... (more »)
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John Barrel: An Entire Change of Performance" Politics and Playbills, 1794-95
October 21, 1996

John Barrel, Literary Theorist and Cultural Historian, University of Sussex, ... (more »)
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Guillermo Gomez-Pena: Colonial/postcolonial Nightmares
September 19, 1996

Guillermo Gomez-Pena, Performance artist MacArthur Foundation Fellow, Los Angeles ... (more »)
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Manuel Borja-Villa: Antonio Tapies, 1955-1975: From the Language of Tyranny to the Tyranny of Language
April 12, 1996

Manuel Borja-Villa, Director of the Antonio Tapies Foundation, Barcelona
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Maureen Lunn: Sense-less Violence: Memory, Imagination, and Photography in the 1930's
April 02, 1996

Maureen Lunn, UBC Graduate
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Christopher Williams: New Conceptual approaches: from Angola to Vietnam
March 28, 1996

Christopher Williams, L.A .artist, will talk about his work and "New Conceptual approaches: from Angola to Vietnam."
Lecture presented with the assistance of the Canada council and The Morris & Helen Belkein Gallery, UBC. Coordinated by Serge Guilbaut, Ken Lum and Scott Watson.
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Sharon Lockhart: Disruptions in Society, Images of Children
March 25, 1996

Sharon Lockhart, L.A. Artist, will talk about her work dealing with the "Disruptions in Society, Images of Children"
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Stephen Prina: Images of Suicide
March 22, 1996

Stephen Prina, L.A. Artist, will talk about his work focusing around "Images of Suicide"
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Andrew MacIntosh: Sacrifice, The Body, and the imprint of Violence
March 15, 1996

Andrew MacIntosh, Ph.D Student, UBC Department of Fine Arts
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Paul McCarthy: Abjection, Violence and the Media
February 28, 1996

Paul McCarthy, L.A Artist, will talk about his work which deals with "Abjection, Violence and the Media"
Lecture presented with the assistance if The Canada council and Te Morris & Helen Belkein Art Gallery, UBC. Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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Jeanne Randolph: A Certain Kind of Murder
February 27, 1996

Jeanne Randolph, Practicing psychiatrist and art critic, University of Toronto, Author of Psychoanalysis and Synchronizes Swimming and Other Writings About Art.
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson.
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Manuel Pina: Cuban Art in the 90's:Art at the End of Utopia
February 08, 1996

Manuel Pina, Visiting Artist from Havana (Cuba) in Residence at the Department of Fine Arts. 1996 Recipient of Andrew Fellowship
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson.
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Michael Camille: Violence, Mimesis and Identification in Late Medieval Passion Iconography
January 19, 1996

Michael Camille, University of Chicago
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson
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David Avelos: Reflections of a Chicano Throwing Stones from inside a Greenhouse
January 12, 1996

David Avelos, College of Arts & Sciences, California State University, San Marcos
Coordinated by Serge Guilbaut, Ken Lum and Scott Watson.
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