The Department of Art History, Visual Art & Theory
Indian Candy - Dana Claxton
June 27, 2014
Exhibition runs until September 7th, 2014
The Art Gallery of Greater Victoria presents nine works from Dana Claxton’s most recent series, “Indian Candy." The works articulate her attempts “to bring forth a reversal of a whitewash of history by using vibrant colours to beautify the history and make historical discourses and research documents into critical contemporary art that has been influenced by pop art, political art, and shared and contested histories.”
Dana Claxton reflects on historical archives and highlights the human propensity to render itself, from Indigenous rock art, to photography, to governmental correspondence. She addresses the complexities of colonialism, past and present, through strategic subversion, and investigates the buried histories of the Wild West, with specific attention to Sitting Bull who shares her Hunkpapa Lakota Sioux ancestry. Curated by Toby Lawrence.
Artist Talk - August 21 2014 - 7:00pm to 8:00pm
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Welcome to Screenland: Curated by CCST Candidate Carolyn Jervis
July 10, 2014
Exhibition runs July 11 - August 13, 2014
Welcome to Screenland considers the personal dimensions of life plugged in, and the impact that the taken-for-granted structure of Internet programs and video games has on virtual expressions of identity, connection, memory, and love. Key to the selected works is their respective engagements with the vernacular of virtual life, using the language and appearance of user-generated content, working with or referencing online structures of games, video diaries, and blogs. These interventions ask us to consider what ideologically lies behind the structure of these virtual spaces, and how online programs organize our enactments and experiences of self within them.
Featuring works by Jennifer Chan, Freya Bjorg Olafson, Jon Rafman, Frances Stark, Angie Waller, and Matthew Williamson.
Welcome to Screenland is curated by Carolyn Jervis, a Master’s Candidate in the Critical and Curatorial Studies program at the University of
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A Spectacle and Nothing Strange
July 24, 2014
Opens Thursday, July 24, 2014, 7-9 pm. To August 23, 2014.
Saturday 1 - 5PM • Tuesday 6 - 9PM
ARTISTS: asianpunkboy (Terence Koh), Keith Cole, Todd Evanger, Brendan Fernandes, Eve Fowler, Paul de Guzman, Jeffrey Hallbauer, Luis Jacob, Attila Richard Lukacs, Will Munro and Patryk Stasieczek
The use of text has been a significant feature of artists’ practices over the past century. Within the gay community, language has functioned as a system of binding people to overcome the days when homosexuality was deemed, during Oscar Wilde’s lifetime, the love that dare not speak its name. This exhibition intends to explore the ways in which contemporary gay artists have used language in their art to explore their identity.
Playful manipulation of language is demonstrated in Luis Jacob’s work, a print derived from the action of him kissing a sheet of paper, a la Joyce Weilland, while singing the disco funk anthem, Sylvester’s “You Make Me Feel (Mighty Real)”. Keith Cole
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About the Department
Art History and Visual Art were first taught at The University of British Columbia when noted Canadian painter, B.C. Binning, was appointed to the faculty of the newly-formed School of Architecture. The Department of Fine Arts was established as an independent department within the Faculty of Arts in 1955. Since its inception the Department has grown steadily and now includes 23 full-time members of faculty (13 art historians and 10 visual artists). In 2001, the Department changed its name from Fine Arts to the Department of Art History, Visual Art and Theory to better to encapsulate the innovative teaching and interdisciplinary research interests of the faculty.
The Department of Art History, Visual Art and Theory comprises three streams of research-based learning and practice: Art History, with a particular focus on theoretical and critical discourses concerning the social impact of art and visual representation at both the undergraduate and graduate levels; Critical and Curatorial Studies, examining through research and exhibition projects issues in contemporary visual culture and display; and Visual Art, with an undergraduate curriculum placing art production, academic learning and a graduate emphasis on preparation for participation in the field of contemporary international art.
The Department’s faculty are actively involved in research and bring this strength into their teaching at all levels. Undergraduate and graduate seminars enhance student experience in advanced academic research and practice. As a result many of our graduates have established distinguished careers in the creative, scholarly and gallery fields.
The main goal of Art History, Visual Art and Theory is to foster critical and reflexive thinking within an inclusive and supportive environment. The Department thus maintains the highest standards of intellectual and administrative practice, seeking to be innovative in pedagogy and international in scholarly perspective.
The Morris and Helen Belkin Art Gallery
The Morris and Helen Belkin Art Gallery has an international reputation for its exhibitions, publications and projects in the area of contemporary art. Its collections and archives are an invaluable resource for scholars.
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The AHVA Gallery
The mission of the AHVA Gallery is to promote research and discourse in the field of visual art by facilitating collaboration and experimentation within the department, the university, and the community. The gallery is dedicated to providing resources and opportunities to students, faculty and the community through exhibitions, public programs, and providing a venue to engage in dialogue.
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